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18.04.2013 REPORTAGE

IRL, Point B, New York

Sidste postkort fra New York (IRL)

Det sidste postkort, man sender, kommer altid først frem, når man selv er kommet hjem. Måske modsiger det oven i købet lidt det, man siden har nået at fortælle, fordi man har glemt helt præcis, hvad man skrev.

AF Mikkel Carl

Lige inden jeg tog af sted til New York, fik jeg en del mails, der sluttede med: "C U IRL". Jeg er ikke ligefrem en del af generationen post-Internet (jeg fik min første computer, da jeg begyndte på universitetet), så det måtte jeg lige Google engang: "Vi ses i det virkelig liv."

Jeg tror næsten, jeg vil skrive resten af kortet på engelsk, så alle dem, jeg mødte, også kan læse med.

Since I was going to be in New York for only a month I wasn't really planning on producing anything. So, I made myself comfortable in the cozy kitchenette with my laptop and other things to do actually not setting foot in the studio-part of my studio apartment for the first couple of weeks. But as I came to realize that the fine line between the two could perhaps be transgressed otherwise I started arranging a group show taking as it vantage point this exact situation. Artists in residency not producing any "proper" new work, for whatever good reason they might have: Loneliness, lack of inspiration, logistic difficulties and the abundance of new impressions yet to be digested. I called the exhibition: IRL.

On the exhibition invite as well as on my dinning table I put Luc Fuller's A Ripe Tomato Will Eventually Rot If It Is Not Eaten, 2013 (2012). And next to the stove the inevitable MacBook Pro 13'' showed Parker Ito's see also: lai fun, list of pasta, soba, 2013: A series of traveling close-ups of pasta dish still images accompanied by a hip hop score finishing half way through the video as if someone accidentally paused iTunes while cooking.

On the same table as the (very) slowly rotting tomato I utilized my Danish iPhone (I wasn't using it otherwise) to present Stephen Truax' Corporate Monster, 2010. A picture he took with his business Blackberry while on a trip to Chicago. And on the wall just above it - also in the kitchen area where I was working most days - I presented Kassel, 2011: A so-called geo-drawing by Richard Evans. The mysterious triangular pattern is drawn on a Baedecker map, which is sort of the Google maps/Lonely Planet travel guide of early modernity (it figures in many a modernist classic, which is the type of novels I for some odd reason prefer to read).

Upstairs in the built-in closet among my clothes Mamiko Otsubo's Glass Hook, 2009 was haging, and right below by the bed was a suitable good night read: Marc Ganzglass' re-publication of Moby Dick by Herman Melville, which is the second issue in his artist book series called Escrow. Actually when he was copy/pasting the body text a glitch occurred in Indesign creating throughout the story hundreds of new compound words: Whaleembraces, enourmousmass, economicallyaccelerating...

On the loft bed railing, where I used to toss my own stuff I laid out Dora Budor's pair of jeans, chemise, button down shirt, all white, and on the floor a ragged t-shirt used for test printing. All the clothes feature alternative perfume ads she made for Dis Images, a new stock photo option offered by Dis Magazine.

For his recent series Untitled (picking up the pieces) Kasper Sonne has literally been picking up the pieces from his larger installations comprising on-site dyed commercial carpets (at the time of the show one of them was still up at Henningsen gallery in Copenhagen). As most of us are aware of, the rug is what really ties the room together.

Right outside my bathroom James Viscardi chose to present one of his recent paintings as part of the installation Daily Defense, 2013 featuring a glass shelve from Bed, Bath & Beyond carrying two bottles of scented room spray mixed with linseed oil and antioxidant. As guests were invited to spray this onto the accompanying fleece towel the lingering scent mixed nicely with the smell of bacon and eggs in the morning right after a long, steamy shower.

Furthermore, Brad Troemmel sent two of his t-shirt paintings. One shows the colored imprints of third generation bump keys (it is illegal to copy this type of key, but then again: who's afraid of red, yellow, and blue?). The other wears a print of a black fax and has a LSD packaging attached. According to Brad people shipping LSD via regular postal service tend to use the same kind of blue paper folded more or less in the same way.

Much to my surprise, inspired by this whole new situation I got the idea for a new work of my own: Sometimes it snows in April, 2013 (people kept quoting Prince the day Independent art fair had to close down the roof top terrace due to a snow storm + I was going to leave New York on March 31). The piece consisted of a well-used black snow shovel with a somewhat peculiar design - one of three, which I found in the hallway by the front door.

As part of their ongoing series Suitcase Wisdom (the work that on my first night in New York sort of gave me the idea for the show) Nanna Debois Buhl & Liz Linden write poems using the incredible brand names on suitcases found in China Town: Bonjour / International Sovereign / Ambassador

C U IRL
Mikkel Carl

Luc Fuller: A Ripe Tomato Will Eventually Rot If It Is Not Eaten, 2013 (2012), Tomato

Parker Ito: see also: lai fun, list of pasta, soba, 2013, 10:48

IRL, 2013. Installation view.

Parker Ito: see also: lai fun, list of pasta, soba, 2013, 10:48

Parker Ito: see also: lai fun, list of pasta, soba, 2013, 10:48

IRL, 2013. Installation view.

Richard Evans: Kassel, 2011, Geo-audio drawing, watercolor on Baedeker map

Stephen Truax: Corporate Monster, 2010
, Digital image (BlackBerry photo)

Stephen Truax: Corporate Monster, 2010
, Digital image (BlackBerry photo)

Mamiko Otsubo: Glass Hook, 2009, Borosilicate glass

Mamiko Otsubo: Glass Hook, 2009, Borosilicate glass

Mamiko Otsubo: Glass Hook, 2009, Borosilicate glass

Mamiko Otsubo: Glass Hook, 2009, Borosilicate glass

Marc Ganzglass: Escrow; Issue no. 2, Moby Dick by Herman Melville

Marc Ganzglass: Escrow; Issue no. 2, Moby Dick by Herman Melville

Dora Budor: Young-Girl, 2013, Transfer print on shirt

Dora Budor: Remix Test, 2013, Transfer print on rug shirt

Dora Budor: Romance, 2013, Transfer print on button down shirt

Dora Budor: Romance, 2013, Transfer print on button down shirt

Dora Budor: The Horror, 2013, Transfer print on jeans

IRL, 2013. Installation view.

IRL, 2013. Installation view.

Kasper Sonne: Untitled (picking up the pieces), 2013, Commercial carpet, industrial paint and heavy-duty glue on canvas

Kasper Sonne: Untitled (picking up the pieces) No.15, 2013, Commercial carpet, industrial paint and heavy-duty glue on canvas

Kasper Sonne: Untitled (picking up the pieces) No.16, 2013, Commercial carpet, industrial paint and heavy-duty glue on canvas

Kasper Sonne: Untitled (picking up the pieces) No.17, 2013, Commercial carpet, industrial paint and heavy-duty glue on canvas

IRL, 2013. Installation view.

James Viscardi: Daily Defense, 2013, Oil on canvas, fleece, antioxidant fortified room spray, glass shelf

James Viscardi: Daily Defense, 2013, Oil on canvas, fleece, antioxidant fortified room spray, glass shelf

James Viscardi: Daily Defense, 2013, Oil on canvas, fleece, antioxidant fortified room spray, glass shelf

Mikkel Carl: Sometimes it snows in April, 2013, Snow shovel found in the hallway at Point B

Mikkel Carl: Sometimes it snows in April, 2013, Snow shovel found in the hallway at Point B

IRL, 2013. Installation view.

Brad Troemmel: Bleached Tie Dye T-Shirt with Third Generation Bump Keys Dipped and Pressed, 2012, T-Shirt, acrylic paint, keys.

Anonymous Black Fax T-Shirt with LSD Packaging, 2012, T-Shirt, Black Fax, LSD packaging.

Brad Troemmel: Bleached Tie Dye T-Shirt with Third Generation Bump Keys Dipped and Pressed, 2012, T-Shirt, acrylic paint, keys

Brad Troemmel. Bleached Tie Dye T-Shirt with Third Generation Bump Keys Dipped and Pressed, 2012, T-Shirt, acrylic paint, keys.

Anonymous Black Fax T-Shirt with LSD Packaging, 2012, T-Shirt, Black Fax, LSD packaging.

Brad Troemmel: Bleached Tie Dye T-Shirt with Third Generation Bump Keys Dipped and Pressed, 2012, T-Shirt, acrylic paint, keys

Brad Troemmel: Anonymous Black Fax T-Shirt with LSD Packaging, 2012, T-Shirt, Black Fax, LSD packaging

Nanna Debois Buhl & Liz Linden: SUITCASE WISDOM III, 2013, 3 suitcases

Nanna Debois Buhl & Liz Linden: SUITCASE WISDOM III, 2013, 3 suitcases

Nanna Debois Buhl & Liz Linden: SUITCASE WISDOM III, 2013, 3 suitcases

Nanna Debois Buhl & Liz Linden: SUITCASE WISDOM III, 2013, 3 suitcases

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