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Vermilion Sands

Tagensvej 85, 2200 København N


The Antipodes of My Body

Rob Churm, Nanna Lysholt Hansen, Maria Meinild

10.12.2017 - 27.01.2018


The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

The Antipodes of My Body (installation view), 2017. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

The Antipodes of My Body (installation view), 2017. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

The Antipodes of My Body (installation view), 2017. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

The Antipodes of My Body (installation view), 2017. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

The Antipodes of My Body (installation view), 2017. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Maria Meinild: welcome to my humble cell, 2017, HD Video 4’ loop. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Maria Meinild: welcome to my humble cell, 2017, HD Video 4’ loop. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Maria Meinild: Untitled, 2017, oak, stoneware. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Maria Meinild: Untitled, 2017, oak, stoneware. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Rob Churm: Imaginary Magnitude (detail), 2015-2017, mixed media on paper. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Rob Churm: Light Knife in the Brainbow, 2017, 3 plate etching with mixed media on paper. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Rob Churm: Light Knife in the Brainbow, 2017, 3 plate etching with mixed media on paper. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Nanna Lysholt Hansen: Dear Daughter/Anatomy of the Chthulucene (O’Connell Oh Oh Haraway) #5, 2017, 21’58’’ DV, sound. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Nanna Lysholt Hansen: Untitled (The Chthonic Ones) (detail), 2017, variable dimensions, playdough, bodypaint, glitterglue. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Nanna Lysholt Hansen: Untitled (The Chthonic Ones) (detail), 2017, variable dimensions, playdough, bodypaint, glitterglue. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Nanna Lysholt Hansen: Dear Daughter/Organic Cyborg Stories (After Donna Haraway) #1, 2013, 14’58’’ DV, sound. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Nanna Lysholt Hansen: Dear Daughter/Motherboard Theories of Evolution (w/ Braidotti, Plant et aliae) #14, 2017, 22’44’’ DV, sound. Foto: Kevin Malcolm.

The Antipodes of My Body, Vermilion Sands, Rob Churm, Nanna Lysholt Hansen, Maria Meinild

Nanna Lysholt Hansen: Dear Daughter/Anatomy of the Chthulucene (O’Connell Oh Oh Haraway) #1, 2016, 21’50’’ DV, sound. Foto: Kevin Malcolm.

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