Få nyheder, ferniseringer og events hver uge i din mailbox. Tilmeld dig Kopenhagens ugentlige nyhedsmail

extremecomicbookmaturevideopornjapanesepornonlinegreengay.netfree-video-fuckinglivecam sexchathardcore-sex-videos.net

Eighteen

Slagtehusgade 18, 1715 København V

Onsdag-fredag: 12-18. Lørdag: 12-16


Small enough to keep me happy, big enough to keep me occupied

Morgan Blair, Daniel Boccato, Charlotte Develter, MacGregor Harp, Antwan Horfee, Dan Mandelbaum, Neil Raitt, Mike Redmond & Faye Coral Johnson, Alexandros Vasmoulakis

Kurator: Jon Pilkington

12.08.2017 - 09.09.2017
FACEBOOKEVENT


Small enough to keep me happy, big enough to keep me occupied, Eighteen

Small Enough To Keep Me Happy, Big Enough To Keep Me Occupied (installation view), 2017. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Small Enough To Keep Me Happy, Big Enough To Keep Me Occupied (Installation view), 2017. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Small Enough To Keep Me Happy, Big Enough To Keep Me Occupied (installation view), 2017. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Morgan Blair: What He Saw When He Looked Deep Into The Eyes of His Sheep..., 2017, 92 x 92 cm, acrylic and sand on canvas on panel. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Morgan Blair: 14 Real Life Billionaires You Won’t Believe Really Exist and Decide the Fate of the Free World..., 2017, 153 x 153 cm, acrylic on canvas on panel. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Morgan Blair: ‘It’s Not You, It’s My Lobster’ and 120 Other Award-Winning..., 2017, 20 x 26 cm, graphite on paper. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Daniel Boccato: mayface, 2017, 160 x 230 x 70 cm, epoxy, fiberglass, polyurethane coating. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Charlotte Develter: Untitled, 2016, 150 x 130 cm, charcoal, lacquer and oil on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Charlotte Develter: Ulysse, 2016, 150 x 130 cm, enamel and oil on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Charlotte Develter: Zanders, 2016, 150 x 130 cm, oil and collage on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Charlotte Develter: Untitled, 2016, 150 x 130 cm, oil and lacquer on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Charlotte Develter: Untitled, 2016, 150 x 130 cm, oil on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

MacGregor Harp: Now Now (There There), 2017, 23 x 26 x 18 cm, security cameras, push pin. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Antwan Horfee: Lila & Asparagus In The Pool, 2017, 120 x 100 cm, acrylic, offset ink on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Antwan Horfee: Cocktails Blurr, 2017, 200 x 130 cm, acrylic and solvant aerosol on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Antwan Horfee: Froggy Rain, 2017, 50 x 35 cm, chemical ink on 250 g paper. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Antwan Horfee: Smoke That Cherry, 2017, 30 x 25 cm, acrylic, chemical ink, lytho ink on 150 g paper. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Dan Mandelbaum: Spectral Cat, 2017, 41 x 20 x 36 cm, glazed ceramic. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Dan Mandelbaum: Couple Going to the Hospital, 2017, 31 x 23 x 38 cm, glazed ceramic. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Dan Mandelbaum: Goofy Janus, 2017, 33 x 31 x 36 cm, glazed ceramic. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Dan Mandelbaum: Big Brother’s Punches, 2017, 38 x 32 x 51 cm, glazed ceramic. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Dan Mandelbaum: Camouflage Doofus, 2017, 31 x 26 x 28 cm, glazed ceramic. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Dan Mandelbaum: Stray Sculpture, 2017, 41 x 38 x 43 cm, glazed ceramic. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Dan Mandelbaum: Multi-Grain Noodles, 2017, 36 x 31 x 36 cm, glazed ceramic. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Neil Raitt: Crinkle-cut mountain (Lemon Edge), 2017, 180 x 120 cm, oil and acrylic on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Neil Raitt: Cabin Window Cabin, 2017, 90 x 60 cm, oil and acrylic on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Alexandros Vasmoulakis: Escorts, 2017, 145 x 95 cm, oil, acrylic and oil pastel on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Alexandros Vasmoulakis: Untitled, 2017, 40 x 30 cm, oil pastel and acrylic on board. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Alexandros Vasmoulakis: Untitled, 2017, 40 x 30 cm, oil pastel and acrylic on board. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Alexandros Vasmoulakis: Untitled, 2017, 40 x 30 cm, oil pastel and acrylic on board. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Alexandros Vasmoulakis: Untitled, 2017, 40 x 30 cm, oil pastel and acrylic on board. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Mike Redmond & Faye Coral Johnson: What Could This Thing With Creepy Walls Be? #1, 2017, 138 x 100 x 6 cm, house paint, acrylic paint and spray paint on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Mike Redmond & Faye Coral Johnson: What Could This Thing With Creepy Walls Be? #2, 2017, 42 x 29 x 7 cm, house paint, acrylic paint and spray paint on canvas. Foto: Eighteen.

Small enough to keep me happy, big enough to keep me occupied, Eighteen

Mike Redmond & Faye Coral Johnson: What Could This Thing With Creepy Walls Be? #3, 2017, pencil on paper. Foto: Eighteen.

PRESSEMEDDELELSE

I do not know what brought me here
Away from where I’ve hardly ever been and now
Am never likely to go again.

Faces are lost, and places passed
At which I could have stopped,
And stopping, been glad enough.

Some faces left a mark,
And I on them might have wrought
Some kind of charm or spell
To make their futures work,

But it’s hard to guess
How one person on another
Works an influence.
We pass, and lit briefly by one another’s light
Hope the way we go is right.

- Brian Patten

A tale that plays with logic; Eighteen brings together a select group of international artists, focusing on the dynamism between slick digital renditions and the deftly handmade. Brought together by intrigue and admiration, there are hints of British sarcasm folded into every nook and cranny. Works overlap, react and intrude accordingly while still retaining their own charm and character. Fusing together a slapstick comedic value with a lyrical, poetic charm.

Mountains, cabins, cacti, a water fountain, elongated face, the sky… direct references to nature, the backdrop, forms that are irregular. All equally as seductive, alive & generous. Synthetic qualities remind us that this is not real life just a mere echo, a play that is kindly orchestrated into a whimsical coherence. A side step form the day to day Danish weather, entering into a fairytale scene. Forms are elongated, prolonged and heavily pronounced almost sadistically. There is a buoyancy, somehow. Works play on scale, clunky awkward shapes rest calmly, modest pictures float, the scene of a seance about to commence quizzically placed - brings the tone into dispute. The space, large white & dominant, laden with natural light imbues this play allowing the small works to become intimate and the large works become somewhat ordinary.

Skriv kommentar



Boesner
Kunstskolen Spektrum
Artefact1
Københavns Kunstskole
Kunsthøjskolen på Ærø
extremecomicbookmaturevideopornjapanesepornonlinegreengay.netfree-video-fuckinglivecam sexchathardcore-sex-videos.net