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OK Corral

Rolighedsvej 9, 1958 Frederiksberg

MAIL: okcorralexhibit@gmail.com

TLF: +45 4162 1987

WEB: okcorral.dk

Onsdag - lørdag kl. 13-17


Sigils, Confronting Aesthetics or ’I Got a Pipeline Straight to the Heart of You Opening My Head

Brian Ravnholt Jepsen

07.12.2013 - 22.12.2013
FACEBOOKEVENT


Brian Ravnholt Jepsen: #11, 2013, 120x120, teaktræksolie, gaffatape og skibslak på krydsfinér. Foto: OK CORRAL.

Brian Ravnholt Jepsen: #8, 2013, 120x120, Lysstofrør, teaktræsolie og skibslak på krydsfinér. Foto: OK CORRAL.

Brian Ravnholt Jepsen: #7, 2013, 120x120, Lysstofrør, teaktræsolie og skibslak på krydsfinér. Foto: OK CORRAL.

Brian Ravnholt Jepsen: #6, 2013, 120x120, Lysstofrør, teaktræsolie og gaffatape på krydsfinér. Foto: OK CORRAL.

Brian Ravnholt Jepsen: #5, 2013, 120x120, lysstofrør, teaktræsolie og skibslak på krydsfinér. Foto: OK CORRAL.

Brian Ravnholt Jepsen: #4, 2013, 120x120, Lysstofrør, teaktræsolie og skibslak på krydsfinér. Foto: OK CORRAL.

Brian Ravnholt Jepsen: #4, 2013, 120x120, Lysstofrør, teaktræsolie og skibslak på krydsfinér. Foto: OK CORRAL.

Brian Ravnholt Jepsen: #12, 2013, 120x120, Lysstofrør, teaktræsolie og gaffatape på krydsfinér. Foto: OK CORRAL.

PRESSEMEDDELELSE

In 1987 the band Sonic Youth released their iconic record Sister which best can be described as a bracket between two otherimmortal releases, respectively EVOL from 1986 and probably the most known album Daydream Nation from 1988. Despite this Sister went on to become an overlooked sovereign delivery of unmanageable and unruly sound - a bastard if you will - with anidea- and detail richness of resources that laid everything down.
The soundstage was peeled to the bone and the atonal tuned guitars accelerated side by side in a race with a just as disableddrumset. A guitarsound that dry and jarring alternately squeled and overdrived with rattling and crackling repetitive patterns and atthe same time produced elements of unprecedented beautiful character - and the nerve, the energy and the ideas took only onetrack after another to new heights.
The culmination was a showdown with a prior that wasn't satisfying enough and which manifested it self in a space between theknown and unknown. A simple breach of conventions and devil-may-care attitude motivated only by the need to detach from a safeplace and develop unrestrained towards the next coming.

I am that Sister

In the solo show Sigils, Confronting Aesthetics or 'I Got a Pipeline Straight to the Heart of You Opening My Head Brian Ravnholt Jepsen presents his newest formal studies and aesthetic explorations in a series of brand new tight dogma conceptual works.
The format is strictly round and the materials consists only of plywood, teaktree oil, marine varnish, duct tape and fluorescent lightand the concept tries to explore possibilities only by guidance or communicatively guide through objects and signs - to share withus something that we really didn't know and we needed to be shared with.

It is the motivation and the effort to transform material of ideas and inspiration into pictorial sigils that depict ritual service andother undefined entity in the same manner that the sigil if self through time has been the representative for occult manifestationbut with an attention and an almost hypersensitivity to further development and incorporation of elements that takes the conceptin another and more personal direction.

Brian Ravnholt Jepsen (b. 1977) lives and work in Copenhagen and is educated from The Funen Art Academy in 2009. Further hehas studied at the School of Graphics at The Royal Academy of Fine Arts in Copenhagen in 2006, studied philosophy at theUniversity of Copenhagen 2001-03 and lived in New York City in 2008.

He has participated in several solo and group shows in respectively New York City, Berlin, Brussels, Oslo and Düsseldorf.

With an idea based approach the works of Brian Ravnholt Jepsen deals with many different artistic expressions and media -everything from fluorescent light installations, pyrographic woodburns and Polaroid-series to homebuilt instruments, sound basedworks, plaster casts and movies. The result is an immediate low-tech object art that at the same time contain a huge amount ofenergy, ingenuity and homemade technology - and thus provide an expressive outcome that works as process-orientated experiments that include the experiences of the audiences and at the same time have an easy and popular availability and greatuncompromising originality.

OK CORRAL is a artist-run project-room and studio community which is housed in a Red Warehouse - a former workshop buildingin Carlsberg, Copenhagen. The span in the interdisciplinary projects of OK CORRAL varies from solo- and group shows with nationaland international artists, open University to collaboration with other local and international artist-run spaces.

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