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Udstillingsstedet TYS

Studiestræde 13B, 1455 København K

Onsdag – fredag kl. 13-18 og lørdag kl. 13-16


play [ it ] good

Åsa Millholm, Annika von Hausswolff

10.05.2015 - 31.05.2015
FACEBOOKEVENT


Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Annika von Hausswolff.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Annika von Hausswolff.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Annika von Hausswolff.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Annika von Hausswolff.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Annika von Hausswolff.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Annika von Hausswolff.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Annika von Hausswolff.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Signe Vad.

Åsa Millholm & Annika von Hausswolff: play [it] good (detail), Udstillingsstedet TYS, 2015. Foto: Annika von Hausswolff.

Åsa Millholm & Annika von Hausswolff: play [it] good (installation view), Udstillingsstedet TYS, 2015. Foto: Annika von Hausswolff.

PRESSEMEDDELELSE

The two artist have based their works on the potential of showing the world in new perspectives, and thereby creating it anew. And that this occurs in the field between play and construction, origin and abstraction.

In the work of Åsa Millholm (SE), we are presented with a variety of objects and images in widely different materials: textiles, sticks, plastic, paint, ceramics, papier mache, plaster and chicken wire. Through a playful and intuitive approach, Millholm explores the boundaries of the visual, allowing each element to speak for itself and simultaneously contribute to a heterogeneous yet holistic language.

Her work fluctuate between the abstract and the imagined, drawing inspiration from indigenous cultures as well as the tantric tradition, in which the practitioner, through meditation, potentially finds access to a visual language that gives voice to the ineffable.

Annika von Hausswolff (SE) has, for this exhibition, based her images on photographs from different press archives. The playgrounds that were represented have become the reason for reflection on authoriative- and mental architectures. She is interested in how the playground is shaping the behavior in predetermined patterns as an analogy to society as a whole; someone else has designed our actions in everything from religion, legal systems, software and toys etc.

Playing is a genuinely creative and stimulating activity, where adventure, rituals and social structures are created, therefore it also happens that, in the game, oppression, domination and exclusion occurs. Laws of nature and cultural codes are interacting, as in society at large.

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