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Galleri Q

Peder Skrams Gade 2, 1050 København K

Lørdag & søndag 12-17


MIAMI MARKED

Tomas Leth, Erdal Bilici, Ida Schrader, Clara Busch, Emilie Tarp Østensgård, Pauline Fransson, Anna Rettl, Jonas Kroglund, Svend Sømod, Emilie Imán, Mira Winding, Mikkeline Lerche Daa Natorp, Sophie Gunvad Filtenborg, Alma Ulrikke Bille Stræde, Laurits Gulløv, Maja Liisberg Poulsen, Søren Rye, Gurli-Marie Lindum, Kajsa Karlsson, Andreas Tang Plougsgaard, Anna Kristine Hvid Petersen, Josephine Kamoun Johansson, Bertram Stæhr von Undall , Anton Bigum Kampe

30.01.2016 - 31.01.2016
FACEBOOKEVENT


MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Anna Rettl & Gurli-Marie Lindum: Diagram as tool, jern, lak, plastikfolie monteret på husfacade, 200cm x 156cm

Anna Rettl & Gurli-Marie Lindum: Diagram as tool, jern, lak, plastikfolie monteret på husfacade, 200cm x 156cm

Sophie Gunvad Filtenborg: Life Vest. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Clara Busch: The room calls upon me and I answer (video still).

Clara Busch: The room calls upon me and I answer (video still).

Pauline Fransson: Eczema.

Pauline Fransson: Eczema.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Alma Ulrikke Bille Stræde: Hvalhjerte (grønlandshval), 82 x 55 cm, Lyskasse(r). Foto: Alma Ulrikke Bille Stræde.

Erdal Bilici: A personal statement, video installation.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Emilie Tarp Østensgård: Eksempel.

Emilie Tarp Østensgård: Eksempel (video still).

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Svend Sømod Foto: David Morrow.

Tomas Leth: Eídōlon. Foto: Alma Ulrikke Bille Stræde.

Tomas Leth: Eídōlon. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Kajsa Karlsson: Jag och min syster klipper gräsmattan (video still).

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Anna Kristine Hvid Petersen: Are zebras black with white stripes or white with black stripes?. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Emilie Imán: superNAP version 3. Foto: Alma Ulrikke Bille Stræde.

Anna Kristine Hvid Petersen: Min bananpalme døde :(. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Laurits Gulløv: Fra venstre: Tegnedukke, træsnit, 70x100, Pariserhjul, træsnit, 100x700 cm

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

MIAMI MARKED (installation view), Udstillingsstedet Q, 2016. Foto: Alma Ulrikke Bille Stræde.

Søren Rye: Peder Skrams Gade 2, 1054 København K, 2.42 min, 4:3 HD video.

Søren Rye: Peder Skrams Gade 2, 1054 København K (video still), 2.42 min, 4:3 HD video.

Søren Rye: Peder Skrams Gade 2, 1054 Koebenhavn K (video still), 2.42 min, 4:3 HD video.

PRESSEMEDDELELSE

OPENING HOURS:
FRI: 16 – 22 (OPENING NIGHT)
SAT: 9 – 22
SUN: 9 – 22 

_______________________________________________

He visited the States. Three days in Miami.
To him it felt like home.
For seven years he is the sole curator of MIAMI MARKED.
On his shelves, there barely is space for a dozen chocolate bars.
He has to be selective, his choice personal.
Quickly we could tell,
the similarities between his decisions and that of our new institution.
Providing us with a new home.
Bestowing us with multiple roofs above our soft heads.
A place to work.
Rooms to create new supplies for your demands.
We are the 24 chocolate bars working into your hands.
Steadily working, beneath our plastic covers,
but the process is slow.
He is ahead of us, his style already defined.
He outruns us. His feet flying above the floors of his white rooms.

On weekdays as well as on weekends we visit him.
Normally he knows what to do.
With questions on our lips we arrive, always taking something back with us.
These short trips, leaving our comfort zone.
Out of curiosity we start eating. We eat his concept.
All that the well curated shelves have to offer we take in and digest.
Vomiting out of gluttony.
All these goods upsetting our stomach.
We open the door, and throw them up.
Flying in a high arc, for the first time gasping fresh air.
Landing almost in front of his feet.
Right on to the opposing corner, separated by a single street. 

There, we build up facades. We tear them down again.
Our chocolate surfaces, melting together, we deck with splinters of glass.
In his image, we start mirroring him.
Isolated within a set of rules, we write and build in all naïveté.
In all honesty.
As the eavesdroppers that you are, you listen to our confessions all too willingly.

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