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Galleri Bo Bjerggaard

Flæsketorvet 85 A, 1711 København V

MAIL: bjerggaard@bjerggaard.com

TLF: +45 3393 4221

FAX: +45 3393 4229

WEB: bjerggaard.com

Tirsdag-fredag 13-18, lørdag 12-16


And in That Place He Did Succumb to What Was Offered

Peter Linde Busk

31.08.2017 - 21.10.2017
FACEBOOKEVENT


Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: And in That Place He Did Succumb to What Was Offered (installation view), 2017. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: And in That Place He Did Succumb to What Was Offered (installation view), 2017. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: My Life Has Been a Series of Catastrophes, Some of Which Actually Happened, 2017, 217 x 154 x 15 cm, various kinds of treated wood, cast plaster, fired and glazed ceramic, natural stones, smalti, terra puzzolane, cement, handpainted glass, reconditioned copper etching plates, cardboard, paper, various fabrics, acrylics, shellac, ink, crayons, on board. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: Get Thee Behind Me, Satan, 2017, 217 x 153 x 12 cm, arious kinds of treated wood, cast plaster, fired and glazed ceramic, hand-painted glass, natural stones, reconditioned copper etching plates, shellac, wood stain, acrylics, ink, on board. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: Dr. Livingstone, I presume, 2017, 217 x 153 x 16 cm, various kinds of treated wood, cast plaster, fired and glazed ceramic, hand-painted glass, gesso, reconditioned copper etching plates, natural stones, wood stain, oxides, shellac, cardboard, porcelain earth, cement, acrylics, linen, canvas, paper, felt. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: Masterless Men (In Eternity, However, There Is No Time, You See. Eternity Is a Mere Moment, Just Long Enough for a Joke), 2017, 188 x 148 x 8 cm, various kinds of treated wood, cast plaster, cardboard, reconditioned copper etching plates, hand-painted glass, oxides, cement, porcelain earth, wood stain, ink, acrylics, crayons, coloured pencils, gold leaf, shellac, natural stones, on board. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: Masterless Men (But It's a Poor Fellow Who Can't Take His Pleasure Without Asking Other People's Permission), 2017, 188 x 148 x 8 cm, various kinds of treated wood, natural stones, hand-painted glass, cement, cast plaster, reconditioned copper etching plates, gold leaf, oxides, wood stain, ink, on board. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: Masterless Men (There Are Always a Few Such People Who Demand the Utmost of Life and Yet Cannot Come to Terms with Its Stupidity and Crudeness), 2017, 188 x 148 x 16 cm, various kinds of treated wood, cast plaster, natural stones, fired and glazed ceramic, hand-painted glass, reconditioned copper etching plates, wood stain, ink, acrylics, oxides, cardboard, linen, canvas, gesso, gold leaf, coloured pencils, screws, shella. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: White Heat, 2017, 144 x 114 x 13 cm, various kinds of treated wood, cast plaster, fired and glazed ceramic, oxides, cement, wood stain, cardboard, paper, gesso, felt, hand-painted glass, natural stones, reconditioned copper etching plates, gold leaf, porcelain earth, shellac, ink, acrylics, . Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: White Light, 2017, 144 x 114 x 13 cm, various kinds of treated wood, cast plaster, fired and glazed ceramic, oxides, cement, wood stain, cardboard, paper, gesso, felt, hand-painted glass, natural stones, reconditioned copper etching plates, gold leaf, porcelain earth, shellac, ink, acrylics. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: You Are Willing to Die, You Coward, but Not to Live, 2017, 62 x 42 x 4 cm, various kinds of treated wood, wood stain, shellac, fired and glazed ceramic, natural stones, hand-painted glass, porcelain earth, on board. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: Maelstrom, 2017, 189 x 149 x 6 cm, paper, cardboard, textiles, hand-painted glass, cast plaster, acrylics, wood shavings, coloured pencils, on canvas. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: Diamond Dancer, 2017, 119 x 86 x 4 cm, woodcut print on copper foil. Foto: Galleri Bo Bjerggaard.

Galleri Bo Bjerggaard, Peter Linde Busk, And in That Place He Did Succumb to What Was Offered

Peter Linde Busk: Diamond Dancer, 2017, 115 x 82 cm, bronze relief. Foto: Galleri Bo Bjerggaard.

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