Få nyheder, ferniseringer og events hver uge i din mailbox. Tilmeld dig Kopenhagens ugentlige nyhedsmail

extremecomicbookmaturevideopornjapanesepornonlinegreengay.netfree-video-fuckinglivecam sexchathardcore-sex-videos.net

peinture et sculpture

Store Kannikestræde 10, 1169 København K

Lørdag 12-16, Søndag 12-15


Aftenlandet

Jonas Jensen

19.01.2013 - 24.02.2013


Jonas Jensen: Aftenlandet, 2013. Installation view. Foto: Jan Søndergaard.

Jonas Jensen: Aftenlandet, 2013, 500 x 250 cm, Cotton. Foto: Jan Søndergaard.

Jonas Jensen: Twilight Fountain Pen Ink, 2013, 77,5 x 105,5 cm, Ink on gravure paper in wooden frame. Foto: Jan Søndergaard.

Jonas Jensen: Archival Blue-Black Registrars Ink, 2013, 77,5 x 105,5 cm, Ink on gravure paper in wooden frame. Foto: Jan Søndergaard.

Jonas Jensen: Aftenlandet, 2013. Installation view. Foto: Jan Søndergaard.

Jonas Jensen: Aftenlandet, 2013. Installation view. Foto: Jan Søndergaard.

Jonas Jensen: Aftenlandet, 2013. Installation view. Foto: Jan Søndergaard.

Jonas Jensen: Model of Road Moai, 2013, 10 x 4 cm + 110 x 30 x 30 cm, 3D print on plinth. Foto: Jan Søndergaard.

PRESSEMEDDELELSE

The Occident (Aftenlandet) understands itself as being in a continuous progression. In this forward going movement it is led towards heights characterized by enormous complexity and depths defined by compact simplicity. Its needs accumulate, its pleasure happens in the need for development and progression. It senses itself as itself, as its desire intensifies it adds pressure. The climax of the curve does not top. The rise passes as a discharge into the decline. A sliding unconscious, uncontrollable event. The Occident is lost in the twilight of its own endeavors. It crumbles, falls and fades. During the phase-out the new slowly occurs. Merged and parallel it grows and deteriorates.

The mirror image of The Occident tones forward. The distortion suits its need for self-righteousness. The story of the abrupt necessity covers the continual and monotone. It splits culture and nature and thus avoids relating to the absence of impetus. Quivering it is tempted by the dramatic. From the shadows step real occurrences. They lay the foundation for the future. Sweetness is introduced. The colourful defense of The Occident becomes norm.

There is no question of a process. The diverging maneuver is created solely by the need to avoid dealing with the fact that it is composed of the manifold. In the manifold there is simultaneously violent movements and total standstill. The shapes are formed in order to form, sharpen, sort and in the last resort make possible. The Occident lies in the image of itself. It is being cradled in its understanding of itself. In this way it leads itself forward. The change happens in its knowledge of this.

Jonas Jensen (b. Copenhagen 1982, lives and works in Copenhagen) studied at The Royal Academy of Fine Art, Copenhagen with Prof. Carsten Juhl and Städelschule, Frankfurt with Prof. Willem de Rooij. Recent exhibitions include Nomad Space, Frankfurt, 2012; Bernhard Knaus Fine Art, Frankfurt, 2011; MMK Zollamt, Frankfurt, 2011.

Skriv kommentar



Københavns Kunstskole
Kunstskolen Spektrum
Roskide Højskole
Boesner kunstnerartikler
Kunsthøjskolen på Ærø
extremecomicbookmaturevideopornjapanesepornonlinegreengay.netfree-video-fuckinglivecam sexchathardcore-sex-videos.net