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Nørrebrogade 14D, 2 sal

Tuesday 15-16, Thursday 16-17


9881

Maria Wæhrens

10.06.2013 -


Maria Wæhrens: Installation view. Foto: Maria Wæhrens.

Maria Wæhrens: Installation view. Foto: Maria Wæhrens.

Maria Wæhrens: Installation view. Foto: Maria Wæhrens.

Maria Wæhrens: Installation view. Foto: Maria Wæhrens.

Maria Wæhrens: Installation view. Foto: Maria Wæhrens.

Maria Wæhrens: Installation view. Foto: Maria Wæhrens.

Maria Wæhrens: Children of the Corn, 2013, 210 x 240, olie, akryl, alkyd og silkepapir på lærred. Foto: Maria Wæhrens.

Maria Wæhrens: How dare you, 2013, 210 x 240, olie, akryl og alkyd på lærred. Foto: Maria Wæhrens.

Maria Wæhrens: Religion, 2013, 122 x 94, olie på masonit. Foto: Maria Wæhrens.

Maria Wæhrens: Pecking Order, 2012, 90 x 150, olie på lærred. Foto: Maria Wæhrens.

Maria Wæhrens: Children of the Corn, 2013, 210 x 240, olie, akryl, alkyd og silkepapir på lærred. Foto: Maria Wæhrens.

Maria Wæhrens: Two Nuns and a Priest, 2013, 210 x 240, olie på lærred. Foto: Maria Wæhrens.

Maria Wæhrens: The She-wolf, 2013, 150 x 150, olie, akryl, lak, lærred, stof og gaffatape på lærred. Foto: Maria Wæhrens.

Maria Wæhrens: Angel, 2013, 244 x 183, alkyd og pigment på lærred. Foto: Maria Wæhrens.

Maria Wæhrens: Maria Wæhrens. Foto: Maria Wæhrens.

PRESSEMEDDELELSE

When the Danish artist Maria Wæhrens (b.1976) opens her new exhibition 9881 she will be showing new art works, but she will also invite the public into her own studio, she occasion wise has transformed into a so-called 'White Cube'. Thus one might create a feeling that the exhibition theme revolves around sitespecificity, she eliminates the white cube neutrality through subjectivising the exhibition title, i.e. the Danish postcode 9881, which thereby will illuminate a very different story.

No hometown saga
The starting point of the exhibition is a drawing which merges into six paintings that all explore themes of subject and matter and of recognisability and abstraction. And her work explores and revolves incessantly about remembrance: where every colour assumes significance, where subject matter generates both intimacy and spectacle and suggests identifiable components, which in combination with different techniques convey a story. Through her ​​art work she is presenting a narrative scenario, where a number of important supporting characters, which recreates memories of the past or familiar, are being revealed, explored and analysed. However, not via distinct signification, rather she has created abstractions that present a quite different story than a hometown saga.

The strength of the image
The exhibition shows Maria Wæhrens' amazing artistic range and strength. She presents us with a series of art works that manifest issues related to both memory and identity. And through the eminence and transformable being of her artworks, she provides us with space of association where connotation and meaning is not significant, but in constant formation.

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